Firsts in Fiction
Gross Anatomy of a Novel: Point of View
Continuing our look at Gross Anatomy of a Novel, this week we discuss Point of View.
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- First, let’s define “Point of View.” Simply put, point of view is the eye through which the narration is seen. There are three main types (and several subtypes.)
1st Person: Protagonist is narrating the story. (I, me, mine)
Reliability of narrator: Do you trust the person telling this story? Are they changing things? Hiding things?
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- From A is for Alibi, by Sue Grafton:
My name is Kinsey Millhone. I’m a private investigator, licensed by the state of California. I’m thirty-two years old, twice divorced, no kids. The day before yesterday I killed someone and the fact weighs heavily on my mind. - Special types of 1st Person
- Interior Monologue: Someone speaking to himself or herself.
- Dramatic Monologue: We overhear one person speaking to another person. Narration sounds like dialogue.
- Letter Narration: Monologue or dialogue. Letters exchanged/sent to other characters.
- Diary Narration: Entries of a diary or journal that spell out a story.
- Subjective Narration: One person’s side of an event, it is subjective and therefore unreliable.
- Detached Autobiography: A telling of a significant event in narrator’s life, but told later in life with a new perspective.
- Memoir or Observer Narration: Narrator is observer of action or another character, not necessarily involved in events (think Great Gatsby here).
- From A is for Alibi, by Sue Grafton:
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- 2nd Person: Reader is the protagonist (narrator speaking of reader who is involved in story—You, your)
- A is for Alibi in 2nd person POV
Your name is Kinsey Millhone. A good name for a thirty-two-year-old female private detective in California. You’ve been divorced twice and have no kids. That bothers you some. Yesterday, you killed someone and that bothers you a lot. It weighs heavily on you. Today, you’re sitting in one-room “bachelorette” situated over someone’s garage - This can be confusing. Search the Internet for 2nd Person and you’ll find a broad definition (this sentence was written in the imperative 2nd pov)
- We need to distinguish between the “imperative 2nd person” from narrative 2nd person.
- Imperative mood indicates a command or direction given. Advertising makes use of this: “Flying the friendly skies,” “Sit down, take a load off, you deserve it.” A recipe is usually written in the imperative: “Add five pounds of butter and a rasher of bacon, then stir.”
- Narrative 2nd person is not (it seems to me) truly in the imperative. It doesn’t give a command or direction, instead it describes the actions of a character as if the reader is the character.
- A is for Alibi in 2nd person POV
- 2nd Person: Reader is the protagonist (narrator speaking of reader who is involved in story—You, your)
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- 3rd Person: Narrator and reader are uninvolved in story, they are only observers. (He, she, them)
- A is for Alibi in 3rd person pov
Kinsey Millhone is a private investigator and has a license from the State of California to prove it. She is thirty-two years old, been divorced twice, and has no kids. The day before yesterday she killed someone. That fact weighs on her–a lot. - Omniscient: All knowing, can see what all characters are thinking and feeling (but should separate these by scene). Sometimes called the “God POV.”
- Can be described as…
- Omniscient distant (Narrator sees into every mind and bounces from head to head.)
- Omniscient close (Narrator deals with one character at a time. Never “jumps heads.”
- Can be described as…
- A is for Alibi in 3rd person pov
- Choosing which is right: Each story you write must have a COMPELLING reason to be in a certain point of view. Avoid simply picking one because that’s how it sounds in your head. If that is the best choice, fine, but at least ask: Why this POV? What does this perspective add to my novel? Does it limit it in any way?
- The writer serves the story and serves the reader, never him/herself.
- A neat trick to overcoming writer’s block is to experiment with the differing POVs. Try writing a scene in each, and see which is better. Just be sure whichever POV you use, you’re consistent throughout your manuscript.
- 3rd Person: Narrator and reader are uninvolved in story, they are only observers. (He, she, them)
- Some Reasons Why
- 1st person considerations
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- Develops a close bond between protagonist and reader.
- Allows writer to conceal information—works well in mysteries.
- Limited in scope—can’t get too close to other characters.
- Can’t reveal all information, usually makes for smaller books/stories.
- Can cause issues in narration (the man walked up behind me, I opened the door, got in the car, started the engine, and drove off…)
- 2nd Person considerations:
- Unique and memorable
- Run the risk of alienating reader
- Works better in short stories.
- Is really an extension of “first person.”
- 3rd Omniscient
- Can be close to many characters.
- Can reveal information, helps to create suspense.
- So many characters, reader may not identify with any and just be lost.
- Can be confusing to reader if head-hopping.
- 3rd Limited:
- See first person. However, 3rd definitely has a different flavor.
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